Hello Christina, and thank you for appearing here today. I’m excited about your book Only One Woman
1. What inspired your latest book?
ONLY ONE WOMAN is a collaboration with my friend and fellow-author, Jane Risdon. We have long wanted to co-write a book but as Jane writes gritty crime and I write froth and bubble rom-com, the subject matter was always a problem – until we realised that we shared a love – and experience – of all-things-60s… And from that light-bulb-moment Only One Woman was born. We’ve had so much fun with it. We wrote it as a two-hander, from the point of view of two girls – Renza and Stella – who are miles apart geographically, socially and emotionally, and who have both met and fallen in love with, Scott, the sex-on-legs guitarist with Narnia’s Children…
2. How likely are people you meet to end up in your next book?
Oh, always – especially if they’ve annoyed me! But hopefully they’d never recognize themselves. I use snippets of character; of appearance; a way of walking or talking; add a large dash of make-believe – and roll it all into one – and then, if they’ve upset me in real life, make sure they get their fictional come-uppance. It’s very cathartic. Otherwise, everyone in my books is a complete figment of my imagination – honest.
3. Was your road to publication fraught with peril or a walk in the park?
There have been a few hiccups along the way, but mainly I think I’ve been very lucky. I started writing romantic short stories and doing pop band interviews for the teen magazines while I was still at school – then I moved on to writing humorous articles for newspapers, and fiction for the women’s magazines and managed to sell a lot of stories, and several serials, to them over the years – it was my pin-money hobby while I worked full-time at other proper jobs – I loved doing it and I never thought about it going any further. Then I won a couple of awards with some slightly longer stories – and at the awards ceremony I was approached by several agents – and well… one of them took me on, I wrote my first full length novel in 1997, my agent sold it to Orion – and I’ve written and had published 25 further books since then – as well as having another agent and several different publishers along the way– and I still write short stories for the women’s magazines too. So – yes, on the whole, compared to how it could have been, it’s been a walk in the park and I’ve been very, very lucky.
4. Give us an elevator pitch for your book.
Late 1960s: two girls, one boy, and a lifetime of rock’n’roll….
5. Do you have a view in your writing space? What does your space look like?
I write in the dining room now, on my laptop, with a view over our village green – so lots of trees and birds and squirrels and people meeting and talking and walking dogs and children playing – I love it. I used to have a study upstairs in the spare bedroom but when we had new neighbours who insisted on power-drilling the party wall day and night, I moved downstairs to the dining room to escape the noise and have never looked back.
6. What genres are you drawn to as a reader?
I read crime, police procedurals and thrillers. I love Agatha Christie and similar crime stories from a gentler age – I can’t cope with too much gore – I am however also addicted to Peter Robinson’s DCI Banks, Ann Cleeve’s Vera, and absolutely everything by Dick and/or Felix Francis. I would love to be able to write crime but I can’t – I’ve tried… I’m not clever enough to write convoluted plots – oh, and I’m such a Pollyanna that I’d never be able to kill anyone off.
7. Do you have any words of inspiration for aspiring authors?
Read, read and read….. Read anything and everything… then write what you want to write – write for you, not for the market or anyone else – tell the story that only you can tell.
• Christina Jones, the only child of a schoolteacher and a circus clown, has been
writing all her life. As well as writing romantic comedy novels, she
also contributes short stories and articles to many national magazines and
She has won several awards for her writing: Going the Distance was a WH Smith Fresh Talent Winner; Nothing to Lose, was shortlisted and runner-up for the Thumping Good Read Award with film and television rights sold; Heaven Sent was shortlisted in The Melissa Nathan Comedy Romance Awards and won a Category Award; Love Potions won the Pure Passion Award; The Way to a Woman’s Heart was short-listed for the Rom-Com of the Year; and An Enormously English Monsoon Wedding won The Reviewer’s Choice Award.
Christina has written 21 romantic comedy novels:
Dancing in the Moonlight; Going the Distance; Running the Risk; Stealing
the Show; Jumping to Conclusions; Tickled Pink; Nothing to Lose;
Walking on Air; Lavender Lane; Honeysuckle House; Forever Autumn;
Summer of Love; Hubble Bubble; Seeing Stars; Love Potions; Happy
Birthday; Heaven Sent; Moonshine; The Way A Woman’s Heart; Never
Can Say Goodbye and An Enormously English Monsoon Wedding.
She has also written and/or contributed to 11 e-book-only novellas/short
stories/compilations: Those Lazy, Hazy Crazy Days; Mitzi’s Midwinter Wedding; Bucolic Frolics; Happy Ever After; Snippets; Shiver; Holiday Fling; Wishing on a Star; Chicklit Lovers Vol One; Chicklit Lovers Vol Three; and the Milton St John Box-Set.
Her latest novel – the love and peace and rock’n’roll 1960s story: Only One Woman – co-authored with Jane Risdon, will be published in November 2017 and is currently available to pre-order on Amazon.
Her next novel – Marigold’s Magical Mystery Tour – will be published in September 2018.
All Christina Jones’ novels are currently available, either in paperback or e-book format, and after years of travelling, she now lives in rural Oxfordshire with her husband and several rescued cats.
Also on FB: Christina Jones (author) page and Only One Woman page – both available from my main page.
Twitter: Christina Jones @bucolicfrolics
Website: Christina Jones, Chicklit Author